With the April session of Camp NaNoWriMo just around the corner, this is basically the prime time for planning out some ideas for a new writing project. Unlike the November version, the April and July challenges are more relaxed and half the time, I don’t finish the challenge (I’m old school and keep my goals at 50,000 words–so even if I reach 25,000 and “fail”, I may have still written more than others who win with smaller goals.) I primarily use this time to test out ideas.
My thought was to play around with a written form that is usually not thought of as a straightforward storytelling device. Specifically, I want to tell interconnected short stories through entries in a fictional museum catalog. The museum and the artifacts within will be fictional. Through a curator’s voice, I want to hint that there’s something odd going on aside from the boring work of researchers and archivists through the stories and myths behind the objects on display.
For the past couple of days, I’ve been doing some pre-writing, trying to figure out what kind of narrative voice to take. I don’t think I’m quite there yet, but I’m veering towards “apparently neutral yet deeply unsettling”. I have also been trying to get a firm visual in my head of the museum–I haven’t decided yet on whether to set it in some kind of historical palace or a modern building, but I definitely want to convey a sense of vastness, sort of like Borges’ The Library of Babel.
And as for the artifacts populating the museum? I think they will come from all sorts of fictional times and eras and places and cultures. But mostly they will be MacGuffins, only serving as entryways into something else altogether.